Saturday, May 11, 2013

reviews and upcoming readings


Recent nice reviews of my book at Starr Review and H_NGM_N.

Several upcoming readings as I go out roaming: 

May 25, 6:30pm
Casa Libre
228 N 4th Ave
Tucson, AZ 85705

May 28, 6pm
Marfa Book Company
105 S Highland
Marfa, TX

May 30, 7:30pm
Tiny Park
1101 Navasota Street, Suite 2
Austin, TX


May 31, 6pm
Diane Tapes Series
Maple Street Book Shop at Bayou St. John
3122 Ponce de Leon St
New Orleans, LA

Further down the road...

August 19, 7pm
with Becca Klaver, Marisa Crawford, Sarah Bridgins, Barbara Henning and Anna Sequoia
Bluestockings Bookstore
172 Allen St
NYC

October 24, 8pm
with Susan Briante, Farid Matuk and Sara Mumolo
Emory Bookstore
Atlanta, GA

Thursday, May 2, 2013


Want to hear me read a poem 18 months ago? I didn't listen to this recording until now. Click the link, click the headphones head, click AWP #2. I'm about 3/4 into the episode. Thanks, Joelle Jameson at High Volumes.

http://cyberstationlive.com/highvolumes

Monday, March 25, 2013

Queer Masculinity

I'm sharing my introduction to Belladonna's Queer Masculinity panel from March 5, 2013. Panelists were: J. Jack Halberstam, Stephen Motika, Ronaldo Wilson, Mark Wunderlich and Brian Pietras.


The audio recording is posted here: http://writing.upenn.edu/pennsound/x/Belladonna.php


The introduction:


Welcome and thanks for being here. Tonight, the Belladonna Collaborative presents a panel and discussion on the subject of Queer Masculinity.


Belladonna is a cooperatively-organized feminist small press and literary event series. Founded in 1999 by Rachel Levitsky, Belladonna reorganized in 2010 to become the ten-woman editorial board we are today. Our mission remains the promotion of women writers whose work is adventurous, experimental, politically involved, multi-form, multicultural, multi-gendered, impossible to define, delicious to talk about, unpredictable and dangerous with language. We can tell you more about our history and our newest books at the book table after the event.

This event brings together a group of panelists diverse in age, race, gender, and career.

When I floated the idea for an event on Queer Masculinity to the rest of the collab, I envisioned a range of identities and sought to bring queer theory into more prominent visibility and comprehension. This makes sense as a Belladonna event because we understand ourselves and our mission to be working for the survival of marginal avant garde communities and practitioners.

Another goal is to continue Belladonna’s work under the banner of Material Lives. Since the death of Akilah Oliver two years ago, we’ve been concerned with remembering the economic and physical realities, often struggles, of individuals within the avant and feminist poetics communities. So that here, now, we are speaking about masculinity as one lens on lived experience, and thinking of it from both male-bodied and non-male-bodied perspectives.

Friday, March 22, 2013

A new poem of mine is up at Dressing Room Poetry Journal. The poem is called "Field Notes: Liverpool." Alongside many fabulous sister poets, including Danielle Pafunda, Sarah Sarai and others. Check it out!

Thursday, March 14, 2013

I seem to have forgotten to link to this collaborative poem published in December at Maggy. Thanks to my several collaborators! We have another poem forthcoming soon, which I'll link to when it's up.

Saturday, March 9, 2013

Spring Training 13


Bench Clearing Brawl

When I pierced my nose, she said now no one’s going to marry you.
When I broke my elbow, she said now no one’s going to marry you.
That’s a great meeting.
Working the steps.
I diagnose, I treat, I prescribe.
Beautiful.
Yo no se trabajando aquí.
He said there was blood on the needle.
Daddy’s got to look at the map.
Do you want a special treat?
Deucy-deucy. Fweet-fwew.

Monday, March 4, 2013

The Next Big Best Birdnest Thing

Hanna Andrews, all the way from Paris, tagged me to be a part of The Next Big Thing-- a series of self-interviews that travels from poet to poet. Her interview is here.

It seems like I may have waited long enough that this thread is no longer cool, which is perfect for me.

What is the working title of the book?
The working title of my new book is Gray Market, though it has been other, stupider things. I just learned the phrase "Gaper's Block" today; it means the traffic jam resulting from rubbernecking at a car accident.Maybe it will change to that.
Where did the idea come from for the book?
There isn't so much an "idea" behind this book. I've debated with myself (and sometimes others) about whether it's necessary for a book of poetry to hang together thematically or stylistically. I've wondered why it isn't cool anymore (unless you're John Ashbery or Sherman Alexie maybe) to just write 50 poems and call it a book. If you write quickly enough, a central idea might be adorably unavoidable.

These poems are about language and teaching, and all the hierarchical dynamics of teaching writing, particularly at a school where you are ostensibly working to help raise people up into the middle class (this happens to be something I am employed at). But it is not mostly about teaching; it is mostly about how sneaky language is. It is also about sex and creeps and money.

What genre does your book fall under?
 Poetry! The poetry of thinking and process rather than the poetry of knowing-it-all.
What actors would you choose to play the part of your characters in a movie rendition?
The guy (ok I looked it up, his name is Wiley Wiggins) who played Mitch in Dazed and Confused would be me (I mean THE SPEAKER). Picture the scene where he says, "How do you know I haven't already?"

Um, of course it is poetry and there aren't really characters. There is maybe a Helpful Friend and maybe an Authority Figure and every book has a Love Interest Who Is Really Not Such A Good Idea.

James Franco could play all of those people that would be fine.

What is the one sentence synopsis of your book?

What if you dreamed you went to school naked but it wasn't a dream?

How long did it take you to write the first draft of the manuscript?

About a year and a half.

Who or what inspired you to write this book?
I wanted to keep going after my first book.

What else about your book might pique the reader’s interest?

 It's influenced by Mei-Mei Berssenbrugge's I Love Artists and Lisa Robertson and Juliana Spahr's work.
Will your book be self-published or represented by an agency?
Only time will tell.

Next up:

Anyone who wants it! Let me know and I'll link to you.